出卖她的肉体
弗里达法瑞尔,加布里埃尔·奥尔德斯,马修·马斯登
弗里达法瑞尔,加布里埃尔·奥尔德斯,马修·马斯登
许冠文,叶倩文,叶丽仪,卢海鹏,车保罗,许英秀,黎小田,李燕萍,刘允,黄文慧
克里斯蒂娜·马斯特森,克里斯蒂娜·马斯特森,Michelle Cortés
冈田茉莉子,松田优作,鼻肇,乔山中,岩城滉一,三船敏郎,鹤田浩二,竹下景子,伴淳三郎,高泽顺子,范文雀,夏八木勋,长门裕之,珍妮八田,坂口良子,大泷秀治,佐藤蛾次郎,北林谷荣,西川峰子,铃木瑞穗,峰岸彻,地井武男,和田浩治,深作欣二
丽贝卡·波拉科娃,Mantas Zemleckas,巴博拉·伯布洛瓦,米罗斯拉夫·哈努斯,马丁·芬格,哈娜·瓦格内洛娃,Ondrej Novotný,Tatjana Medvecká,娜塔莉·蕾赫罗娃,Simona Zmrzlá,Marek Geisberg,Agáta Spisáková,黛安娜·杜林科娃,Katerina Marie Fialová,Leona Sklenickova,Martin Donutil,Pavel Novotný,Patrik Vojtísek,Eva Alner Jízd
李力持
鲁奇诺·维斯康蒂
奥利弗斯通
马丁斯科塞斯
迈克尔贝
丹尼·保尔
法斯宾德
路学长
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
A couple on the verge of a nasty divorce attempt to sell their empty love nest and move on with their lives, separately. After a successful open house they are horrified to discover, days later, that a potential buyer didn't leave their home. While Alice is being held captive in the basement, the unannounced house guest moves in upstairs. She senses her capture is being kept a rebellious secret. She knows her way only way out if she can only get out alive.
《幽灵人间》:一幢豪华的别墅内,年迈的主人坤桑遇刺身亡。他曾留下遗嘱,将房子留给一对连体的双胞胎姐妹花。但是条件只有一个,姐妹俩必须为祖父首领三天。守灵之夜,怪事频发,鬼影幢幢,杀机四伏;《第11层天堂》:在名为“Heaven 11”的超市内,开业不到两个月内,接连4名店员自杀身亡。从收银台前的监视器内,可以清楚看到自杀收银员的身影。所见之人,不寒而栗,死亡诅咒仍在继续,纯情的收银女孩步入死局;《第八层地狱》 :命运凄惨的女孩在大厦电梯间被粗暴蛮横的负心汉残忍杀害。美人香销玉殒,但冤魂久久不散。电梯间内,血腥的一幕重复上演,轮回不止……
某年圣诞节期间,位于一个僻静舒适角落的格兰达尔森林旅馆正式开业。美丽的女店主阿哈娜(碧帕莎·芭素 Bipasha Basu 饰)为了这一天可谓煞费苦心,她以一己之力安排旅馆内的一切事务,与此同时第一批客人也接二连三入住。虽然状况不断,不过旅馆的开业仪式总算顺利进行了下来,而且她还因误会结识了拥有迷人气质的客人库纳尔·阿南德(Imran Abbas 饰)。然而在前一晚,给旅店送货的司机遭到不明生物的袭击,死状可怖。次日,一对新婚燕尔的夫妻也在丛林中遇袭。 恐怖的死亡气氛迅速蔓延,阿哈娜好不容易建立起来的梦想旅馆,面临怪物的无情毁灭……
黑心鬼(午马 饰)原是百年前的善长人翁,好事做尽,却令田地善恶不平衡,故被罚在阳间害九名贪心之人后方可投胎;陈康泰(陈友 饰)误放出尿壶中的黑心鬼,被赠予三个愿望,试验其是否贪心之人。康泰之弟星辰(莫少聪 饰)替兄顶罪而被解雇,寄居兄长家中,被恶嫂梅赛花(梅艳芳 饰)逼做男佣,因而邂逅女鬼梅兰花(梅艳芳 饰),另一方面,黑心鬼限期将至,决定完成康泰最后愿望后便取其性命,康泰能否度过此劫……
阿克曼博士是当地一所大学的生物老师,他在被不明飞行物追赶时遇到了意外的死亡。韦斯利,他的一个学生,在吸引女性方面有困难。这一切都发生了变化,当Xenobia女士接管了阿克曼的课程,并说服卫斯理参加一些维生素研究,她和她的助理Drax正在进行。突然,韦斯利变得很有魅力,尽管在兴奋的时候,他的脑袋里长出了肉质的天线。他新发现的成功可能会疏远他真正关心的那个女孩(Leeanne),而Xenobia的动机可能与她不是这个地球的事实有关。
文森特·卡塞瑟,切尔西·洛佩兹,布瑞达·伍尔,滕德·艾德比佩,蕾妮·库利,鲍勃·斯蒂芬森,达娜·林恩·拜伦,Jim Boeven,Chris Dougherty,波特·琳·杨,Tony Evangelista,达维达·威廉姆斯,马克·伯恩汉姆,Cheryl Dent,Gabe Fonseca
麦肯娜·格瑞丝,梅森·泰晤士,艾莉森·威廉姆斯,戴夫·弗兰科,斯科特·伊斯特伍德,薇拉·菲茨杰拉德,萨姆·莫雷洛斯,克兰西·布朗,库尔特·岳,奥布雷·布洛克维,玛莎儿·乐芙兰,卢克·皮埃尔·罗内斯,伊桑·科斯塔尼拉,艾丽西亚·卡斯伯特森,威廉·伯纳姆·西蒙斯,瑞安·康纳·西蒙斯,丹尼尔·史密斯,哈萨尼·维贝兹·科默,玛克西玛·马斯特斯
克洛德·布拉瑟,吉约姆·德·东克戴克,Noémie Schmidt
比利·斯洛特,戴夫·戴维斯,詹姆斯·摩西·布莱克
Marissa Lynne Johnson,Laura Alexandra Ramos,Cat Alter,Natalie Burtney,Drew Cash,Julia Cearley,M. Steven Felty,Drew Hellenthal,Desi Ivanova,Benjamin James,Ted Jonas,Jason Kakebeen,丹妮·洛朱,James Simenc
葛米星,李国煌,蔡景森,刘琦,黎明,颜薇恩,Royston Ong,Daniel Jamal,Olivia Stiefel
苏丽珊,吴肇轩,邵仲衡,朱鉴然,梁晓丰,陈曾宁,泰臣,蒋祖曼,楊秉基,岑珈其,黄修平,王敏德,葛民辉,曾翠珊,赖恩慈,张雪芹,曾江,陈豪,邵音音,何故,黄竣锋,梁雍婷,吴良荣,袁文杰,周群达,覃恩美,古天祥,许博文